Night of the Hunter (1955)

I recently re-watched a movie which has somehow slipped quietly from everyone’s minds, Night of the Hunter (1955). Really, though, it never was in anyone’s mind as it failed to appear anywhere in the Oscars, even in a year that was slim pickings and saw a half dozen movies selected which would be lauded andContinue reading “Night of the Hunter (1955)”

The Ladykillers

The Ladykillers is one of the great comedies, and comedies are a hard thing to pull off. Why is this so? Since the primary aim of comedy is to let you give yourself up to laugher for a few hours, albeit such an aim does not preclude the inclusion of deeper currents of thought, thereContinue reading “The Ladykillers”

Cleo from 5 to 7

Cleo from 5 to 7 begins with a consideration of death. The only color in the film is that of the tarot cards in the opening sequence; after that there is an exquisite black-and-white. The color had illuminated a gritty world which the descent to monochrome masks just in time to face the despairing Cleo’sContinue reading “Cleo from 5 to 7”

Dunkirk

Excerpts from Nolan’s diary: 1 I awoke this morning feeling today will be extraordinary, ambitious, and groundbreaking. Not ordinary thoughts of ordinary men, but I am no longer an ordinary man. Last night I got my hands on a camera with untapped potential, and I am going to tap it. I’ve had ideas since whenContinue reading “Dunkirk”

Blancanieves

Texture is the ignored ingredient: when describing one’s favorite dessert, taste takes precedence; in the Smithsonian, color compliments are noted; in film, shot composition is discussed. Talk to a cook or a painter, though, and they will stress texture, it determines a cut of meat’s quality, makes or breaks crème brulee, and attracts the attentionContinue reading “Blancanieves”