All the President’s Men

There are at least two kinds of detective stories, some which are driven by clues and some which are fueled by the characters. Great writers blend the two seamlessly, but even among Sir Arthur Conan Doyle’s Sherlock Holmes mysteries there is a special appeal to A Study in Scarlet because it is a great pleasure toContinue reading “All the President’s Men”

Foreign Correspondent (Hitchcock, 1940)

It seems as though I have a dislike for Hitchcock’s style. With eleven of his movies under my belt, I have the data to say, with little extrapolation, that the later the movie the less I like it: The Birds was a grand disappointment; Vertigo was dependent on the twist, the acting, and its grittiness;Continue reading “Foreign Correspondent (Hitchcock, 1940)”

Cleo from 5 to 7

Cleo from 5 to 7 begins with a consideration of death. The only color in the film is that of the tarot cards in the opening sequence; after that there is an exquisite black-and-white. The color had illuminated a gritty world which the descent to monochrome masks just in time to face the despairing Cleo’sContinue reading “Cleo from 5 to 7”

Mission: Impossible – Fallout

This movie, with its convoluted punctuation, is a fun way to spend two hours and ten minutes, the downside being that you are nearly required by etiquette to stay in your seat for another twenty minutes. It delivers what we have come to expect from the Mission Impossible franchise: clever twists in the plots, action-packedContinue reading “Mission: Impossible – Fallout”

12 Angry Men

12 Angry Men, Sidney Lumet’s most famous movie, is deceptively simple in its presentation. The tricks employed are famous: the continually sinking camera and the continually narrowing lens bring you closer and closer into the claustrophobic action; the parts of a single heated dialogue were often filmed weeks apart as part of a lighting schemeContinue reading “12 Angry Men”